About
the Bulletin |
Vol. LII, No. 23 |
Director of Public Relations Appointed
The Employee Assistance Program (EAP) is available on campus for employees who wish to seek assistance in dealing with drug- or alcohol-related problems as well as a variety of other concerns. A current list of EAP coordinators can be found at www.buffalostate.edu/offices/hr/eap.asp.
Questions regarding the Policy on Alcohol and Drug Use in the Workplace should be referred to Emmanuel J. Hillery, associate director, Human Resource Management, at ext. 4822.
If the associate vice president for finance and management/comptroller is unavailable, the referral should be made to the assistant vice president for finance and management.
This procedure is especially important when legal papers request personnel files or information on students or are requests made under the USA Patriot Act. Various other rights, such as those afforded by FERPA (Family Educational Rights and Privacy Act), the Personal Privacy Protection law, and collective bargaining agreements, are involved in those situations.
Job Fair 2007
Prior to the event, the CDC staff will conduct workshops and presentations on "How to Get the Competitive Edge at the Job Fair." This program will offer students instruction on how to ensure they are well-prepared to meet employers and make a positive professional impression. If you would like a CDC staff member to conduct this workshop for your class or student group, please contact us to arrange a time. Also, please remind students to bring multiple copies of their résumé and to dress in professional interview attire.
For more information and a list of participating employers, please call the CDC at ext. 5811 or visit www.buffalostate.edu/offices/cdc. This event is funded by Auxiliary Services and FSA grants.
College Senate Meeting
New Programs:
New Courses:
COM 335 Talk Radio/Talk Television. Introduction to various aspects of talk radio and talk television; differences between news reporters and talk-show hosts; relationship with sales and audience analysis; attention to roles of producer, program director, and promotions.
COM 341 Fundraising. Theory and practice of fundraising and organizational philanthropy; focus on planning, organization, management, marketing, and practical approaches that nonprofit organizations use to raise money from private sources.
FOR 612 Principles of Forensic Science. Overview of forensic laboratory procedures and practices. Includes field testing, laboratory screen tests, instrumental analyses, microscopy, molecular identification, blood-alcohol analyses, identification of physical evidence, pattern evidence, crime-scene processing, evidentiary value of chemical analysis, auditing, peer-review procedures, and quality issues. Sampling techniques, data quality, error rates, blind proficiency testing, and their relevance to legal decisions.
FOR 614 Forensic Applications of Instrumental Analysis. Introduction to forensic chemical analysis using representative instrumental techniques including spectroscopy and chromatography; emphasis on laboratory-based studies for applications of these instruments to provide extensive experience in solving various analytical issues present in forensic laboratories.
FOR 616 Microscopy in Forensic Science. Introduction to microscopic investigations for forensic pattern evidence and trace analysis; fundamental theory, principles of operation, varieties, and capabilities of optical microscopy and applications in forensics; fundamentals and applications of transmission and scanning electron microscopy for forensic imaging at atomic-scale resolution and chemical analysis; laboratory sections for pattern analysis and trace analysis.
FOR 618 Drug Chemistry and Toxicology. Overview of misused and illegal pharmaceuticals, toxicology, poisons, forensic drug analysis, and illicit drug manufacture. Types, classes, and structures of illicit pharmaceuticals and the laws governing these substances; mechanism of biological activity and toxicological issues of each class; immunoassay technologies for drugs-of-abuse testing analysis; methods of forensic analysis of commonly encountered illegal drugs; and methods of surreptitious manufacture and law enforcement concerns with clandestine laboratories.
TVA 201 Introduction to Television Arts. Introduction to the history of storytelling and the various ways in which stories can be told today. Emphasis on television, film, theater, and other visual media.
TVA 301 Storytelling Process I. Students study great directors and the screenplays they have produced, focusing on analyzing story structure, characters, and theme of screenplays that compose the established canon. Directors include Spielberg, Kubrick, Hitchcock, Wilder, Allen, and Tarantino.
TVA 304 Writing for Television Arts. Students practice writing techniques for television, film, and other visual media by crafting a series of commercials, documentaries, scenes, and narrative scripts.
TVA 401 Storytelling Process II. Students form virtual video production companies and work collaboratively with other students, alternately assuming the roles of writer, producer, director, and production crew. In the process, students develop the ability to assess their strengths, weaknesses, and interests.
TVA 420 Senior Project I. Students function as true "auteurs" using advanced techniques to write, produce, direct, and edit their own single-camera short video project. Emphasis on the effectiveness of the story rather than production quality. Critiques from peers and instructors focus on developing storytelling skills.
TVA 450 Senior Project II. Students write a short script, partner with other students (for acting and production services) and faculty, and bring their short scripts to life in a professional, multi-camera studio production. Final projects are shown in a public forum.
TVA 460 Adaptation. Students adapt literature for television or film. They choose a short story, poem, or other piece of literature and translate it into a short script.
TVA 480 Advanced Directing/Producing I. Students focus on directing the actor for a single-camera production. Each student directs short scenes from selected plays, then shoots a scene (single camera) as a final project. The class and students from other departments act as the "Acting Company."
TVA 481 Advanced Directing/Producing II. Students direct a scene or series of scenes from a previously produced film, television program, or play and shoot it (multi-camera) as a final project. The class and students from other departments act as the "Acting Company" and "Production Company."
Course Revisions:
Course Revision and Intellectual Foundations Designation:
DIVERSITY
Intellectual Foundations Designation:
ORAL COMMUNICATION
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